Showing posts with label aesthetics. Show all posts
Showing posts with label aesthetics. Show all posts

Sunday, 30 August 2020

Nepean River

Nepean River Cobbitty c. 1900-1910 (Camden Images)

The Nepean River

The Nepean River is one of the most essential waterways in the Sydney basin and has particular significance for Sydney's southwestern rural-urban fringe. Its catchment extends south and east of the Sydney Basin to take in areas near Robertson and Goulburn. West of Wollongong the tributaries including Cataract Creek, Avon River, Cordeaux River that flow north-west and then into the deep gorges of Pheasants Nest and Douglas Park.

The river opens up into a floodplain and flows past  Menangle and crosses the Cowpastures and southern Cumberland Plain past Camden and Cobbitty. The river then flows north through the gorge adjacent to Wallacia and enters Bents Basin before it is joined by the Warragamba River and changes its name to the Hawkesbury River.

The Nepean River is economically vital to the Sydney Basin and is used for mining, irrigation, recreation and other activities. It is ecologically significant to the area and has several rare and endangered species of plants.

Cultural importance

The river has a significant meaning in terms of its intangible cultural heritage to the local landscape. It defines the landscape and the construction of place in the localities along the river, including Menangle, Camden, and Cobbitty.

Learn more

There is the  Little Sandy at Camden, which was a favourite swimming spot for the local community.

The river floodplain is partly covered in Cumberland Woodland an endangered species in the Sydney Basin. Another endangered species in the local area is the Elderslie Banksia Scrub and the  Camden White Gum.

The river catchment is the most important in the Sydney basin and has significant cultural significance in the area.  One example is the 1925 Nepean River flood at Camden.

The Macarthur Bridge across the Nepean River is one of the most critical pieces of economic and social infrastructure in the Macarthur area.

In times of high rainfall, the river has particular characteristics which make flooding a problematic event for the local population. 

In 2006 Camden Council designated the historic Camden town centre in the Nepean River floodplain as a Heritage Conservation Area, and later incorporated it in the 2010 Local Environment Plan.
There is a local walkway located on the river floodplain called the Miss Lewella Davies Memorial Walkway.

Originally posted 2016 Updated 30 August 2020

Friday, 14 August 2020

Pansy Old Right-of-Way at Elderslie

Vellas Fresh Produce Market Gardens

25-85 Camden Valley Way, 
Elderslie 

DA  010.2016.00001366.001 

Old Right-of-Way for Camden-Campbelltown Railway

The Old Right-of-Way for Camden-Campbelltown Railway viewed from Kirkham Lane looking towards Camden at the proposed Vella Market Gardens site. 2017 (I Willis)


Camden-Campbelltown  Railway Locomotive at Camden Railway Station


Pansy Locomotive on the Camden-Campbelltown Railway Branch Line in 1950s  seen here at Camden Railway Station (Camden Images)

There is a re-development of a rural property adjacent to the Cowpastures Bridge at Elderslie on the Camden Valley Way (formerly the Hume Highway) with the old right-of-way for the Camden-Campbelltown Light Railway.

The Camden-Campbelltown Railway was an essential part of local transport infrastructure from 1881 to 1963 when the New South Wales Government closed the branch line.

The Vella Markets Garden development site not only has the old right-of-way. Some culverts still exist from the 1950s.

Old Right-Of-Way for Camden-Campbelltown Railway view from Camden Valley Way looking towards Kirkham Lane. The horse's location indicates the line of trees that marks the ROW on site for proposed Vella Market Gardens. 2017 (I Willis)


The old right-of-way is clearly identifiable by the line trees that follow it to Kirkham Lane.

Unfortunately, the developer does not mention this old right-of-way in any of the development documents.

View of Old Right-of-Way for Camden-Campbelltown Railway view from Kirkham Lane looking towards Camden. Camden Valley Way is visible on left of the image. The presence of the embankment for tracks are clearly seen in this image in the proposed site for Vella Market Gardens .2017 (I Willis)


Read more

Read more about Camden-Campbelltown Railway here and here.

Read more in Camden History the Journal of the Camden Historical Society and visit the
Camden Museum to view several artefacts from the railway days.

The Camden-Campbelltown Railway has been the subject of the recently published Pictorial History of Camden & District seen here on the book's back cover.

The back cover of  Pictorial History of Camden & District which tells some of the stories of Pansy the Campbelltown-Camden train.


Updated 10 January 2021, 15 August 2020. Originally posted 27 January 2017. 

Friday, 18 August 2017

Preview of Alan Baker Art Collection

In July 2017 there was a preview of Alan Baker Art Collection at the Tegel Gallery at Cobbitty.

This is the invitation to the preview of the Alan Baker Collection at the Tegel Gallery, Cobbitty in July 2017. The painting used on the invitation is Alan Baker's Lady in Pink (Marjorie). Marjories was Alan's wife.
Work is coming along on the new Alan Baker Art Gallery that is going to be located in the iconic Italianate style Macaria in John Street Camden. The building is currently surrounded by scaffolding and a construction safety fence. The original chimney's are being replaced by the heritage construction company doing the restoration work. They are currently on view at the Camden Museum.




Roger Percy with latest promotional material for the Alan Baker Art Gallery at Macaria at the Tegel Gallery Cobbitty preview of the Alan Baker Collection in July 2017. Behind Roger is the Alan Baker's portrait of Majorie Alan's wife. (I Willis)

There will 77 works by Camden artist Alan Baker (1914-1987) on loan from Max Tegel and Garry Baker, Alan's son, dating from the 1930s to the 1980s.

The gallery will have themed rooms around commercial artist, still life, flowers, portraits and landscapes.

Macaria will also house the Camden Art Prize Collection for care, storage and management.

Roger Percy spoke at the Camden Historical Society on the plans for Macaria in April 2017. He outlined the progress of the project and the conceptual design of the interior and how the art works might be displayed around the walls.

It is anticipated that the gallery will open later in 2017.

The gallery will looking for a friends of the gallery and is looking for volunteers.

Saturday, 1 July 2017

Colonial Art Exhibition at Campbelltown Arts Centre


A new exhibition of colonial artworks from the permanent collection of the Campbelltown Arts Centre and Campbelltown and Airds Historical Society was launched recently at the gallery.

Ruth Banfield guest curated the exhibition. They Came By Boat at the Campbelltown Arts Centre. Ruth was one of the original members of the Friend of Campbelltown Arts Centre. She has also helped the Arts Centre bring together other exhibition works.

The exhibition called They Came By Boat was guest curated by Ruth Banfield and runs from 30 June to 15 October 2017.

The highlighted colonial artists are Gracius Broinowski; Joseph Lycett; Arthur Willmore; Joseph Backler; Thomas Kirkby; John Scarr; and Samuel Bradshaw.

There was an enthusiastic audience at the recent launch of the exhibition of colonial artworks. They Came By Boat. They listened to guest curator Ruth Banfield give an account of drawing the works together and her role in putting the exhibition together.



The artworks highlight the Macarthur area, particularly the Cowpastures, in its role as both a government reserve and a regional identity.

The exhibition theme and promotional material states
During a period where art was a tool to both elevate status and possibly gain freedom for those punished under the Convict regime, They Came by Boat draws focus to early settler families who journeyed over oceans, arriving to Australia and eventually settling in what is now known as Macarthur; the houses they built and the landscape they inhabited.
Of particular interest are lithographs of wildlife by Polish artist Gracius Broinowski who settled in the Wedderburn area in the late 1880s.

There are etchings by Joseph Lycett, a convict transported for forgery, completed in the 1820s, including Raby, The Property of Alexander Riley, Esq, New South Wales (1825) and View Upon the Nepean River at the Cow Pastures, New South Wales (1824).

Image: Joseph Lycett, view upon the Nepean River at the Cowpastures, New South Wales, 1824-1825.
Lycett's artwork is one of the engravings in the exhibition, giving an idealised interpretation of the Cowpastures landscape and the Nepean River. 


There are stunning colonial portraits of the Scarr and Edrop families by artist Joseph Backler who was transported to New South Wales and convicted of forgery. There are the Reddalls, who were relations of the first poster of Campbelltown's St Peters Church of England, Thomas Reddall, by artist Thomas Kirkby.

Colonial artworks such as these provided a valuable documentary role for historical research when they were the only recorded images of a locality, particularly the Cowpastures, in a settler society. 

The landscape images of the Cowpastures provide one way of viewing the countryside managed by the Dharawal people for thousands of years. 

Usually, there were two ways that the Cowpastures landscape was viewed by colonials: the countryside and its visible features and the aesthetic appeal of neat rows of paddocks and fences; the other by artists like Lycett as an idealised aesthetic pictorial representation. 

Grace Karskins has given an account of how the early colonists in New South Wales viewed the new colony in her book The Colony.

The exhibition is complemented by an informative catalogue which gives historical extracts from three of the engravings for the Cowpastures area. With ample illustrations, the catalogue is a valuable historical document in its own right.

While these colonial artworks were aimed at the metropolitan centre in England and provided an 'idealised view of Australia' they are valuable records of our region.

The cover of the catalogue of the exhibition of colonial artworks They Came By Boat at the Campbelltown Arts Centre.


These artworks highlight the valuable historical role played by the Campbelltown Arts Centre in telling the story of the local area.

This exhibition is a must for anyone interested in the colonial history of the Macarthur region, the Cowpastures or the wider Cumberland Plain.


See:
Campbelltown Arts Centre and the exhibition 'They Came By Boat'.

Read more about the aesthetics of the Cowpastures landscape and representations of how it reflected an English landscape.

For another interpretation of the Cowpastures landscape, see:
Ian Willis, On the edge, settler colonialism on the Cumberland Plain , and The Cowpastures Project.

Saturday, 10 June 2017

Menangle (Camden Park) Gate Lodge


Menangle (Camden Park) Gate Lodge c2009 (MPHM)


Menangle Gate Lodge has historical significance as one of the pair of gate lodges built by the Macarthur Onslows for the Camden Park Estate.

Today (together with the lodge at the entrance near Camden) provides evidence of the former extent of the estate (one of the most significant colonial properties in Australia) as well as demonstrating the architectural embellishments thought appropriate to large estates in the late 19th century. 

The building also has aesthetic significance as an attractive and largely intact example of an "Arts and Crafts" style estate cottage in the region and even for its associations with the architectural firm of Sulman & Power, which designed many buildings on the estate and in the adjacent Menangle Village.

The cottage's aesthetic qualities are further enhanced by its attractive rural setting and sitting adjacent to the remains of the original Estate gates and driveway.

The Gate Lodge is a single-storey weatherboard cottage with a hipped and gabled tiled roof and brick chimneys, one of which has a decorative patterned brick base. 

The gables have timber battening, and the north roof covers a small porch with timber latticework and frieze, while the eastern gable projects on brackets. 

Beneath the east gable is a corbelled bay window with a small panel at the top. The doors have small-pane transom lights. The three panel, the half-glazed front door is off a small porch at the south-east corner. 

On the gables are plaques bearing (different) coats of arms and the mottos "FESTINA LENTE" (to the east) and "FIDE ET OPERA" (to the north). 

One of these plaques was moved from the gate lodge at the other entry to Camden Park. The property still retains a large part of the original picket fence, but this is being renewed.

There is a fibro extension to the rear (south-west), the original verandah flooring was replaced (20 November 1990), and other maintenance items include: fibro replaced on northern lattice enclosed porch, roof re-tiled, and fence renewed.


From 'The Menangle News' Volume 19, No 9, December 2009.

Tuesday, 2 May 2017

NSW politicians terrified of heritage says National Trust heritage expert

‘We are terrified of heritage or at least people in power’, says Dr Clive Lucas president of the National Trust of Australia (NSW) last  Friday (28 April 2017) on ABC Radio Mornings with Wendy Harmer.

Dr Lucas said that ‘parklands, natural landscape, historic buildings’ in the Sydney area were under threat.
St John’s Church built in the 1840s and funded by the Macarthur family has recently been the subject of controversy around selling part of the curtilage  around the church (2016, I Willis)


The conversation discussed the view that Sydneysiders do not engage with an issue until the building or locality is going to disappear, particularly around history and heritage. Wendy Harmer made the point that people in the UK are keen supporters of historic buildings and the British National Trust.

Clive Lucas pointed out several current disputes around heritage St John’s church at Camden, Thompson Square at Windsor and building a swimming pool in Parramatta Park.

One current controversy around heritage in NSW revolves around the Sirius Building in The Rocks in Sydney.

Sirius Building in The Rocks is currently under threat of demolition by the NSW State Government and is part of 1970s Sydney heritage (2016 Wikimedia)


What is it about heritage matters that frightens people in power?

What is the bogey man of heritage?

This blog attracts lots of views to posts about heritage matters from the Old Milk Depot to St John church in Camden. These heritage posts are usually about threats to heritage.

People sometimes do not see the heritage value in a historic item until it is too late, and there is a threat to its destruction, a change in its status, or a change in its surroundings.

Often the fear of heritage matters on buildings is down to laziness of design. New developments in heritage precincts demand creative solutions that are too hard for some. There is a need for imagination and flair. Rather than development at the least cost or a race to the bottom.

Vandalism by neglect is another issue in heritage areas. Some owners and developers of heritage properties hope that they will burn down or all down.

View of Argyle Street in the 1940s which remains mostly unchanged in over 50 years and is now part of the Camden Town Centre Conservation Area (Camden Images)


Many older buildings have particular problems that new buildings do not have. In the 1800s there was no running water, no sewerage to the house, no electricity, no internet, or no reticulated gas.

There can be issues using traditional trades that have primarily been replaced by mass-produced building materials, particularly in areas like plumbing, brickwork, plastering, carpentry, stone masonry, and others.

It is easier to demolish a heritage building and start a new construction from a clean slate. It can be challenging to retrofit current services in old buildings, but with patience and persistence, it can be done.

But heritage is more than old buildings.

Endangered Cumberland Plain Woodland  is part of the natural heritage of Western Sydney area (I Willis)


So what is heritage?

Historian Graeme Davison defines heritage in The Oxford Companion to Australian History as ‘inherited customs, beliefs and institutions held in common by a nation or community’ and more recently has expanded to include ‘natural and ‘built’ landscapes, buildings and environments’.

Heritage is made up of (1) natural heritage of environmental value like the Cumberland Plain Woodland and (2) cultural heritage which is man-made or built heritage like built-up urban areas.

Heritage has several values depending on the type of heritage matter, (1) intrinsic value (2) genetic diversity, (3) historical value (4) uniqueness and rarity (5) utility value.

Reasons for the threat to heritage items (1) development (2) demolition or destruction (3) change of surroundings or setting (4) change its usage or status.

Royal Hotel in Argyle Street Camden which was demolished in 1973 to make way for another a tavern on the site and is part of Camden’s lost cultural heritage  (E Kernohan, 1970, Camden Images)


In New South Wales heritage is defined under the Heritage Act 1977 (NSW) and in the legislation is means:

those places, buildings, works, relics, moveable objects, and precincts, of state or local heritage significance.

So what is significance?

In New South Wales for an item to be considered important and significant it must meet three of the following criteria for the Heritage Council and consideration for the State Heritage List :
 a) an item is important in the course, or pattern, of NSW’s cultural or natural history;
b) an item has strong or special association with the life or works of a person, or group of persons, of importance in NSW’s cultural or natural history;
c) an item is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in NSW;
d) an item has strong or special association with a particular community or cultural group in NSW for social, cultural or spiritual reasons;
e) an item has potential to yield information that will contribute to an understanding of NSW’s cultural or natural history;
f) an item possesses uncommon, rare or endangered aspects of NSW’s cultural or natural history;
g) an item is important in demonstrating the principal characteristics of a class of NSW’s - cultural or natural places; or - cultural or natural environments.  
Outside of New South Wales heritage is a matter for concern. Andrew Wilson from Bradford University states:
Our present is intrinsically bound up with our past, our sense of identity shaped and moulded by the cultural legacies of our forebears. That’s why organisations such as UNESCO exist to protect the cultural heritage of the world for current and future
generations.

Cultural heritage plays a key part in the quality of our lives, building our sense of identity, proving a rallying point around which we build social cohesion and pride in a shared heritage.
Stonehenge England UNESCO World Heritage Site  (Wikimedia)


Stories from the UK might throw some light on why heritage protection can be poison for some cities and their politicians.  Aylin Orbasli from Oxford Brookes University provides a note of caution around urban development process in World Heritage Listed Sites in Edinburgh. She states:

Edinburgh’s UNESCO World Heritage Site status has been the subject of several negative news stories lately. David Black in the Guardian called for the city to be stripped of its status for having a cavalier approach to development, while leading Edinburgh architect Lorn Macneal said that the status is an obstacle to allowing historic homes to evolve in the way that they have for hundreds of years.
The Scottish Government, like New South Wales, want to sell off historic buildings. David Black in the Guardian states that the World Heritage declaration for parts of Edinburgh has:
been an unmitigated disaster, and we’d have been better of without it.
Black maintains that heritage tourism is worth annually £1.6bn to the Scottish and city economy, and yet he argues that the city undervalues its historic heritage. He wants to know why the ‘power that be’ want to ‘trash’ that heritage.

Edinburgh Clockwise from top-left: View from Calton Hill, Old College, Old Town from Princes Street, Edinburgh Castle, Princes Street from Calton Hill UNESCO World Heritage Sites (Wikimedia)

More than this Scottish conservation architect Lorn MacNeal has stated that Edinburgh is blighted by heritage and its planning system. He went on that
any alterations proposed for historic homes are automatically blocked by city planners, leaving the properties “blighted” by their listed status and unable to be turned into “workable”, modern accommodation.
A 2012 Report on World Heritage Listing in Liverpool threatened to de-list the city. It was a wake-up call to city politicians to re-consider their decision around some new city development proposals.

These events have been put down to the view that: (1) there are few benefits from the WHS listing; (2) there is a poor understanding of the sites WHS listed; (3) there is a poor understanding of the value of the WHS listed sites.

While these problems were acknowledged, the report was considered an opportunity to re-assess the social and cultural aspects of a World Heritage Listing in totality for the city.

Heritage issues created controversy in Dresden Germany and were of seemingly little concern to the local population.

Liverpool Pier Head, with the Royal Liver Building, Cunard Building and Port of Liverpool Building UNESCO World Heritage Site (Wikimedia)


It seems really bizarre that the current batch of NSW political decision-makers are considered to be terrified of heritage rules and regulations that they control. It is as if the politicians are frozen by inaction.

The supporters of neo-liberalism and neo-conservatism amongst NSW politicians act as though they want to destroy the past, they act as if they are ashamed of what has happened before. Do neo-liberals want a clean slate with a new beginning and treat the past as if it never existed?

Hyde Park Barracks, Macquarie Street, Sydney, Australia. UNESCO World Heritage Site (Wikimedia)


Heritage is essential for placemaking, maintaining a sense of place, and strengthening community identity, and for a robust and sustainable community.

The well-being and resilience of communities are determined by their place-making process and their ability to retain their identity and sense of place.

This needs decision-makers who take account of heritage matters and cultural, social and environmental processes that contribute to the historic landscape and the general well-being of these societies.

Originally posted 2 May 2017. Updated 11 September 2020.



Saturday, 29 April 2017

Huge crowds at Picton's 2017 illumin­ARTe festival


There were huge crowds at Picton's 2017 illumin­ARTe festival this evening Saturday 29 April.

The cold did not deter the crowds with temperatures low enough to demand a coat and scarf. There were hosts of food stalls doing a roaring trade and one of the local cafes ran of out of take-a-way coffee cups.

There was light projects on a number of buildings including the old post office, bank building, church and council chambers.

There was lots for the kids to do out the front of the bowling club.

The crowds were so big that you were slowed to a shuffle in the rows between the stalls, The local families and their kids were out in force enjoying a night out.

There was plenty of musical entertainment at the various stages and the night was topped out with fireworks.













Tuesday, 25 October 2016

Heritage Protection at Camden Council

Macaria which was formerly the offices of Camden Council to 2016. The new council offices are at Oran Park.


Heritage Protection at Camden Council

At tonight's Camden Council meeting (25 October 2016) councillors unanimously agreed to ask council officers to prepare a report on the establishment of a heritage protection sub-committee. It was moved that any proposed  sub-committee might include councillor representativs, community representatives, independent heritage experts, and representatives of historical groups and other appropriate organisations.

This is the first time that Camden Council has considered forming a committee related solely to heritage protection that could include a range of representatives from council, the community and experts in the field.

The motion was moved by Councillor Cindy Cagney, who stated the she felt the committee should be about preservation and promotion of the local area. She talked about her experience on Campbelltown Council and how Campbelltown Council heritage committee helped community members and councillors around heritage matters.

Councillor Cagney mentioned similar sub-committees at Campbelltown, and other councils. She saw any sub-committee taking a broad role on heritage issues, from advising on a heritage palatte for buildings, to writing histories of important heritage items.

Argyle Street in Camden which was originally founded in 1840 as part of the Macarthur's Camden Park.  


Councillor Eva Campbell spoke in support and said that social heritage of the local area was also important and that it was often overlooked. She stated the heritage made up an important part of a community's sense of place.

In reply to an amended motion Councillor Cagney stated that heritage included natural heritage, cultural heritage as well as built heritage of the local area.

Dr Ian Willis gave a public address to the council early in the evening in support of the proposal. His address is as follows:

Camden Council Public Address
ORDINARY COUNCIL  ORD11
NOTICE OF MOTION
SUBJECT: NOTICE OF MOTION - HERITAGE PROTECTION SUB-COMMITTEE
FROM: Cr Cagney
TRIM #: 16/300825

 I would like to thank the councillors for the opportunity to address the meeting this evening. I would like to speak in support of the motion put by Councillor Cagney.

 I think that a section 355 sub-committee on Heritage Protection is long over due in the Camden Local Government Area.

 A panel of councillors, experts and community members could give sound and constructive advice to Camden Council on local issues of substance related to local heritage.

 This could contribute to the Council’s knowledge of heritage matters within the community.

 The proposed Heritage Protection sub-committee could allow stakeholders a platform to voice their concerns around any proposed development that effected any issues concerning heritage in the Local Government Area.

 The proposed Heritage Protection sub-committee could seek the view of external experts on contentious heritage matters within the Local Government Area.
 The proposed sub-committee could provide considered advice to Council on matters of heritage concern to the community.

 Perhaps provide more light that heat on matters of community concern.  Such advice might lower the noise levels around proposed development around heritage issues that have arisen in recent months.

 In 2010 I wrote an article that appeared in Fairfax Media which I called ‘Heritage, adismal state of affairs’. It was in response to an article by journalist Jonathan Chancellor about the neglected state of Camden’s heritage lists.

 In the article I quoted Sylvia Hales view expressed in the National Trust Magazine that in New South Wales there had been ‘the systematic dismantling of heritage protection’ over the past five years.

 I also quoted the view of Macquarie University geographer Graeme Alpin who wrote in Australian Quarterly that ‘heritage listing at the local level does not provide much protection at all'’.

 I expressed the view at the time that there needed to be a ‘ thorough and considered assessment of historic houses’. And that  'the current political climate in New South Wales is not conducive to the protection of historic houses. Heritage is not a high priority'.

Six years later I have not changed my view.
 The proposed sub-committee could give greater prominence to the Camden Heritage Inventory, similar to Campbelltown Council and Wollondilly Council.

 In 2015 I wrote a post on my blog that I called ‘Camden Mysterious Heritage List’ in frustration after spending a great deal of time and effort trying to find the heritage inventory on the Council’s website. It is still difficult to find.

 In conclusion, the proposed Heritage Protection sub-committee would be a valuable source of advice for council and provide a platform for the community to express their view around heritage issues.


Thursday, 31 March 2016

Commercial Bank Camden NSW

Commercial Bank of Sydney

125 Argyle Street, Camden. Lot 1 DP 986203


Commercial Bank, Argyle Street, Camden NSW (Camden Images)

History and Description

It was built in 1877-78 to the design of G.A. Mansfield, who did much of the CBC's architectural work at that time. The contractor was C. Furner of Camden. A one storey extension added 1972-73 by Architects Laurie and Heath, sympathetically following the style and detail of the original building. (State Heritage Inventory)

A fine example of the late Victorian Bank buildings to be found in country towns of New South Wales. It is in an Italianate style with a fine stone entrance porch to the main elevation and a cast iron balustraded verandah and balcony to its two storeys. The wisteria vine which climbs over the verandah is considered part of the Bank's aesthetic contribution. (SHI)

The building has a hipped shingle roof with a tiled ridgecap and painted chimneys. The entrance door is a timber framed glass sliding door with a highlight window. The building has arched two pane double hung windows. There are french doors to the first floor verandah. (State Heritage Inventory)

The entrance doors have been converted to automatic sliding doors. Airconditioners have been installed. Single storey extension. National Estate Database)

Condition and Use

The building is in good condition. The building is currently occupied by the NAB, and other small businesses. (SHI)

Heritage Significance

An important and noticeable building in a key position on the corner of Camden's two main streets. It continues to be used for its original purpose and well kept over the years. The building is representative of a Victorian Italianate building. It is part of the John Street Group. (SHI) The bank retains good integrity and intactness. (SHI)

Heritage Listing

LEP 2010 item no 112.

State Heritage Inventory (NSW). Built Heritage. Click here

National Estate Database Australian Heritage Commission Click here

Tuesday, 25 November 2014

Charming Country Town


Jacarandas in Elderslie 2014 (I Willis)


More Blooming Flowers


The Jacarandas in Camden and surrounds are out in bloom again. They are a picture of colour and when a breeze pops  up or it rains they carpet the ground. 


Local jacarandas add to the sense of place and character of the area. They add to the picturesque aesthetic of the Camden district. Mr Tim Pickles stated in the Camden press that they are suited to the local area.



Read more in the Macarthur Chronicle 25 November 2014 Camden Wollondilly Edition p.36




Blooming Jacarandas 2013

Blooming Jacaranda street trees in the Camden area (I Willis)
 As you walk around Camden streets you will come across the current flush of purples and  mauves. The local jacarandas are in full bloom and they have spread a colourful carpet across local streets. The streetscapes provide a wonderful vista  of fantasy and charm. They take you on a journey of the imagination into a another world.

The jacarandas in bloom are regularly the front page story in local newpapers. (Macarthur Chronicle (Camden Edition), 5 November 2013)

Jacarandas have been a feature of the urban landscape for quite a while in the local area.

The jacarandas were planted in Camden’s main street in 1927. (Macarthur Chronicle 24 June 2006)

In 2006 Camden mayor Chris Patterson asked the question should the jacarandas in the main street be replaced and he got a very loud response from the community. Save our trees!

The Camden Chamber of Commerce first proposed the removal and replacement with Manchurian pear trees in early 2006.

The Macarthur Chronicle reports that the unseasonably hot weather recently has resulted in the trees blooming early in the local area. (Macarthur Chonicle (Camden Edition) 12 November 2013) Jacarandas also bloomed early in drought years of the early 2000s giving a wonderful burst of colour in suburbs of Elderslie, Camden, and parts of Campbelltown and Picton.

In October 2013 the hottest day was Monday the 21st with a maximum temperature of  36.4°C while the monthly average for October is 27.6°C. October was also unseasonally dry, which according to horticulturalist Tim Pickles, has resulted in better flowers and more of them. The jacaranda originally came from Brazil  and really  like the warm conditions. (Macarthur Chonicle (Camden Edition) 12 November 2013)

Charm and Character of the Old


Argyle Street Camden c1938 (Camden Images)

What is it that gives Camden its charm and character? The answer is found in what still remains of the 1940s and 1950s country town of Camden, that is, its  rural and cultural landscape.
 

The country town

A walk around the central area of Camden reveals to the casual observer that the town is still strikingly similar to what it was like in the 1940s, especially the streetscape. Along streets like Menangle Rd, Broughton St, Murray St, Barsden St, Park St, Hill St, Mitchell St, Elizabeth St, View St, Alpha Rd, John St and even Argyle St. For example, the view along John Street from Camden Public School to St Johns Church is remarkably similar to that  of 60 years ago. Even the view down Argyle Street, especially building heights and street frontages, is similar to the times when the Hume Highway came through the centre of the town.

Picturesque panorama 

The panorama of the township across the floodplain  from a number of locations, eg, Macquarie Grove, Elderslie, or Cawdor,  is largely unchanged from the Second World War. There is the picturesque church on the hill, framed by the town and the farmland in the foreground.  Much as it was when RAAF fighter pilots at the airfield were worried that they would hit the church steeple as they took off on their missions.  As visiting RAAF airmen came into Camden on leave along Macquarie Grove Road the profile that the town made against the skyline would be very familiar to them today.

Federation houses

When the visitor enters the town from the north they still pass the old milk factory where the local dairy farmers unloaded their milk cans from their horse drawn carts. Coming into the township from the south along Cawdor Road the rural landscape gives way to the village showground as it has done since the 1880s. Or along Broughton Street, the visitor  can still image entering the town in 1940s passing the rows of neat weatherboard and brick cottages with their well maintained gardens.  The visitor walking along Menangle Road  passes the Federation houses adjacent to  Macarthur Park,  St Johns church and Dr Crookston's house. The same setting as the 1940s when young female voluntary aids walked up to Camden Hospital to do their wartime duty. 

Attractive streetscapes

The old part of central Camden has a number  of attractive streetscapes which illustrate the town's Victorian and Edwardian past . From the days when the local policeman would tie up his horse outside the police barracks and everyone in town knew that 'Pansy' had arrived at the railway station. The stationmaster would wander over from his house in Elizabeth Street, which still exists, to attend to his official business.




Argyle Street, Camden, 2012

Rustic charm and aesthetics

The farmland that surrounds the township is part of the rustic charm and aesthetic value that attracts many tourists to the town. The landscape of the Nepean River floodplain has shaped the image of the town from the 1840s and still determines how people view the town when they visit it today.

Camden today

The Camden of today still shows the signs of the social and community activities of the country town of the past. For example during the Second World War the ladies of the Camden Red Cross would go to the weekly sewing workshops in the town hall, now the library, while their husbands spent the day at the saleyards. And the location of the churches, shops, garages, showground, community halls, hotels, government buildings and parkland have remained unchanged in years.

Camden retains charm 

Despite recent developments in central Camden  many of the elements of Camden's rural  past still exist.  They give the town its rustic charm and pleasant ambience, and attract the Sunday visitor.  It would be disappointing to see any short sighted decisions made today that might damage this character.


Read more @ http://dictionaryofsydney.org/entry/camden   and  
@ http://www.heritagetourism.com.au/camden-the-best-preserved-country-town-on-the-cumberland-plain-nsw/  and
@ http://epress.lib.uts.edu.au/journals/index.php/sydney_journal/article/view/713
@ Townies, exurbanites and aesthetics, issues of identity on Sydney's rural-urban fringe (AQ, 2012)

Charming Photographs of Camden
@ https://www.facebook.com/CaptureCamden

First published in The District Reporter 7 October 2005